THE GALLERY PARTNERS WITH ATLANTIC FILM FEST FOR “MAUDIE”
We’re thrilled to host the after-party for the 2016 Atlantic Film Festival‘s Opening Night, which will present the feature-length film Maudie, about beloved Nova Scotian folk artist Maud Lewis.
Starring Academy-Award winners Sally Hawkins (as Maud) and Ethan Hawke (as Maud’s husband Everett), the film will explore Maud’s unexpected and incredible life – and the Art Gallery of Nova Scotia brings to life the artist’s work and her original Painted House through its permanent exhibition at its Halifax location: The Maud Lewis Gallery.
The film’s director, Ainsling Walsh, and actors Sally Hawkins & Ethan Hawke, all visited the Art Gallery of Nova Scotia to marvel over Maud’s works. See these for yourself – plus the actual house where Maud and Everetty lived – right here at the Gallery’s Halifax location!
For information about the AFF’s opening night gala tickets, which includes the screening of Maudie, visit their website: www.atlanticfilm.com
MAUD – THE EARLY YEARS
Maud Lewis (1903-1970) was born to John and Agnes Dowley in South Ohio, Nova Scotia. As a child, Maud spent most of her time alone, mostly because she felt uncomfortable about her differences around the other children. She had been born with almost no chin and was always much smaller than everyone else. However, Maud seemed to be a happy child who enjoyed the time she spent with her parents and brother. Maud’s mother started her painting Christmas cards to sell and thus her career as an artist began.
Her life and only experience of the world extended to an area between her birthplace in Yarmouth County and her married home in Marshalltown, Digby County. In 1935 Maud’s father died and in 1937, her mother followed. As was typical at the time, her brother inherited the family home. After living with her brother for a short while she moved to Digby to live with her aunt. There she met Everett Lewis, an itinerant fish peddler, and married him shortly after in 1938.
LIFE IN THE HOUSE
Maud spent the rest of her life living with Everett in their house in Marshalltown. The two had what has been perceived as a formidable companionship, despite any character flaws neighbors found in Everett. Because of Maud’s worsening rheumatoid arthritis, she was unable to do housework. Everett took care of the house, and Maud brought in money through her paintings. The two were a pair that Maud was proud to be a part of.
The home they lived in was tiny in stature but large in character. Despite the lack of modern amenities like indoor plumbing and electricity, the house shows that Maud’s life in Marshalltown was full of enjoyment through her art. Those who stopped after seeing her roadside sign, “Paintings for sale”, found a quiet woman with a delightful smile. Her pleasure didn’t come from the pride of having done a painting, but the creative act itself and the enjoyment others seemed to get from her work.
Through newspaper and magazine articles, as well as television documentaries, Maud became well known and a reputation grew that’s still growing today.
THE HOUSE
After the death of Maud Lewis in 1970, and subsequently of her husband, Everett Lewis, in 1979, the lovingly painted home began to deteriorate. In reaction, a group of concerned citizens from the Digby area started the Maud Lewis Painted House Society; their only goal was to save this valued landmark.
After a number of years of fundraising, the society realized that the project was going to take more resources than they could gather. In 1984, the house was sold to the Province of Nova Scotia and turned over to the care of Art Gallery of Nova Scotia.
In 1996, with funds from the federal Department of Canadian Heritage and from private individuals, the processes of conservation and restoration began. The final, fully restored house is on permanent display in Halifax at the Art Gallery of Nova Scotia.
